Torres, R. (2023). Processos criativos em composição musical: Fontes de inspiração sob auto-escrutínio. Revista Vórtex, 11(1).
http://www.doi.org/10.33871/23179937.2023.11.1.7444
Torres, R. (2023). Fontes de inspiração em composição musical: 16 relatos retrospectivos [Data set]. Zenodo (May 2).
http://www.doi.org/10.5281/zenodo.7754383
Torres, R. (2022). Si amanece, nos vamos: From a Goya print to a new form of using guitar multiphonics. NOVA Contemporary Music Journal, 2
[Proceedings of the NOVA Contemporary Music Meeting 2018], 116–130.
http://doi.org/10.34619/yjju-iovo
Torres, R. (2020). Si amanece, nos vamos for solo guitar: Using multiphonics in a new way. Revista Vórtex, 8(3).
http://www.doi.org/10.33871/23179937.2020.8.3.1.7
Torres, R. (2020). The presence of a mysterious black silhouette: From a print to a new form of usage of guitar multiphonics.
Leonardo Music Journal, 30, 73–78.
http://www.doi.org/10.1162/lmj_a_01083
Torres, R., & Ferreira-Lopes P. (2018). The sound world of guitar multiphonics.
In M. Doğantan-Dack &, J. Dack (Eds.), Music and sonic art: Theories and practices, pp.78–94. Cambridge Scholars Publishing.
http://ritatorres.eu/05-MuSA-Chapter5-Torres-Lopes.pdf
Torres, R. (2015). A new chemistry of sound: The technique of multiphonics as a compositional
element for guitar and amplified guitar. (Doctoral thesis). Universidade Católica Portuguesa.
http://hdl.handle.net/10400.14/21230 [Addenda et corrigenda]
Torres, R., & Ferreira-Lopes P. (2014). Guitar multiphonics: Influence of amplification.
In T. Klouche, E. R. Miranda (Eds.), 9th Conference on Interdisciplinary Musicology – CIM14: Proceedings, pp. 276–279.
Berlin: Staatliches Institut für Musikforschung. [scanned paper]
Torres, R., & Ferreira-Lopes, P. (2014). Towards overcoming the guitar's color research gap. Revista Vórtex, 2(1), 16–36.
http://www.doi.org/10.33871/23179937.2014.2.1.445
Torres, R., & Ferreira-Lopes, P. (2013). Guitar multiphonics: Notations for a formalized approach.
In F. Scarduelli, & F. Aguera (Eds.), VII Simpósio Académico de Violão: Anais do evento, pp. 263–281. Curitiba: EMBAP.
http://www.embap.pr.gov.br/arquivos/File/simposio/violao2014/Anais_do_VII_Simposio_EMBAP.pdf
Torres, R., & Ferreira-Lopes, P. (2012). Multiphonics as a Compositional Element in Writing for Amplified Guitar (1) [Rev.]. Emille, 10, 55–65.
http://keams.org/emille/emille/emille_10/1-6_torres&ferreira-lopes.pdf [scanned paper]
Torres, R., & Ferreira-Lopes, P. (2012). Multiphonics as a Compositional Element in Writing for Amplified Guitar (2).
Journal of Science and Technology of the Arts, 4(1), 61-69. http://www.doi.org/10.7559/citarj.v4i1.67 [Corrigenda]
Torres, R., & Ferreira-Lopes, P. (2012). Multiphonics as a Compositional Element in Writing for Amplified Guitar (1).
Korean Electro-Acoustic Music Society’s 2012 Annual Conference: Proceedings, pp. 73–83.
Torres, R. (2008). Von der punktuellen zur statistischen Zeitwahrnehmung: Stockhausens
"...wie die Zeit vergeht..." und seine Rezeption. (B.A. dissertation). Hochschule für Musik Karlsruhe.